Notes

In 1581, Emilia Bassano is allowed no voice of her own. But as the Lord Chamberlain's mistress she has access to the theatre and finds a way to bring her work to the stage secretly. But creating some of the world's greatest dramatic masterpieces comes at a cost: by paying a man for the use of his name, she will write her own out of history. His name? William Shakespeare. In present day Manhattan, playwright Melina Green has written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. Although the challenges are different four hundred years later, the playing field is still not level for women in theatre. Is Melina-like Emilia-willing to forfeit her credit as author, to see her work performed?